Trying to get to the discussion part before the draft hand in.
The books that I've read reshaped my research concept a little bit or at least helped me to structure the document in a more coherent order. I'm working on different parts at the moment but it's now clear what is missing and what needs rethinking and rewriting.
INTRODUCTION
I'm going to start with an overview of the current state of the music world. Starting from afar with the definition of The Millennials, the new generation. Their characteristics, habits, needs, ambitions.
This will lead to the worldwide indie culture concentrating on music in the first place.
Then I'll incorporate MTV and explain what role it has today. Will mention that this medium is slowly dying and this will lead me to the background.
BACKGROUND
As I understand, background is all about what's going on at the moment.
I'll try to be as up-to-date as possible.
2011, what's going on RIGHT NOW? Here I'm going to introduce YouTube, why is it important to look into this platform and what power and impact it has.
DISCUSSION
Where is the best place for an artist to appear?
Music marketing, stealth marketing. Music in advertising.
Types of music promotion.
The latest trends, biggest acts.
The use of the newest technology in music advertising.
Discussion about the world going digital.
CONCLUSION
Still a long way to get here!
Primary research.
Struggling with this little bit. Can't decide which method to use etc. Is a survey appropriate?
Sunday, 20 November 2011
Friday, 18 November 2011
Concept for the Client Project
After discussing my ideas with several different people, I've made some amends.
At the very beginning, my plan was to make two different products:
Music Documentary
Home sessions
But after actually trying to imagine how these two very different types of video are going to work, I realised they won't. So I did my research. The plan was to find if somebody had done a similar project before.
Deborah, my client project supervisor expressed her opinion about my strengths and skills and she thinks that my calling card is narrative.
Had a similar conversation with Jools, he mentioned atmosphere as the main feature that describes my work. This made me think about how I actually approach all my projects. Don't really know if it's a positive thing but I do a lot of things instinctively e.g. on shoot I tend to do a lot of spontaneous decisions which later turn out to be the best bits of my work.
But anyhow, this post is about my client project.
My chosen client is a gypsy jazz band Maniere Des Bohemiens.
The band is quite new,they've been playing for the last couple of years together. They're not signed to any label but as the violinist Rob mentioned, they're not aiming for a contract, there's not much money in this type of music in the industry. Instead, they prefer doing live cozy gigs that attract their certain audience.
My plan was to represent the band for the first time, to make a music documentary explaining where this band comes from, who are the band members, how they came together to play their music etc. Also, the whole concept of a gypsy jazz band means (in my opinion) that these people are constantly traveling from place to place, 'home is where the heart is'. This led me to the idea of 'Home sessions', a series of live performances taking place at different locations such like Hand & Heart pub, one of the member's actual house where they rehearse, theatre , outdoors, etc.
Having rethought my idea, now I want to mix the live performance with some content and narrative. The viewer would have two different experiences:
1.If you watch only one segment of the series, you get the flavor of the band and their music but your don't get the whole story behind it.
2.If you watch the whole thing, you then have a full understanding about this particular band.
I seek for narrowing the distance between the band and its audience. Knowing how the music you like was born, puts you on the whole new level of connecting with the band.
As I see the structure of one of the home sessions it would go like this:
1. Create a 20-30s opening sequence for the whole documentary and use it at the beginning of each separate home session.
2. A short interview. Three main keypoints:
The origin of the band.
The present of the band
The future of the band
3. Live performance
4. Closing interview (I'm after some authentic stories, e.g. from their childhood, when and how they were first influenced by music.
Some examples of such documentaries:
Mumford & Sons Gentlemen of the Road series:
trailer:
Adele Live in her own home:
Jonsi Go Quiet acoustic version of his new album filmed in his own home:
The bottom line of this, of course, is promotion and introducing the band to the viral YouTube and Vimeo world.
At the very beginning, my plan was to make two different products:
Music Documentary
Home sessions
But after actually trying to imagine how these two very different types of video are going to work, I realised they won't. So I did my research. The plan was to find if somebody had done a similar project before.
Deborah, my client project supervisor expressed her opinion about my strengths and skills and she thinks that my calling card is narrative.
Had a similar conversation with Jools, he mentioned atmosphere as the main feature that describes my work. This made me think about how I actually approach all my projects. Don't really know if it's a positive thing but I do a lot of things instinctively e.g. on shoot I tend to do a lot of spontaneous decisions which later turn out to be the best bits of my work.
But anyhow, this post is about my client project.
My chosen client is a gypsy jazz band Maniere Des Bohemiens.
The band is quite new,they've been playing for the last couple of years together. They're not signed to any label but as the violinist Rob mentioned, they're not aiming for a contract, there's not much money in this type of music in the industry. Instead, they prefer doing live cozy gigs that attract their certain audience.
My plan was to represent the band for the first time, to make a music documentary explaining where this band comes from, who are the band members, how they came together to play their music etc. Also, the whole concept of a gypsy jazz band means (in my opinion) that these people are constantly traveling from place to place, 'home is where the heart is'. This led me to the idea of 'Home sessions', a series of live performances taking place at different locations such like Hand & Heart pub, one of the member's actual house where they rehearse, theatre , outdoors, etc.
Having rethought my idea, now I want to mix the live performance with some content and narrative. The viewer would have two different experiences:
1.If you watch only one segment of the series, you get the flavor of the band and their music but your don't get the whole story behind it.
2.If you watch the whole thing, you then have a full understanding about this particular band.
I seek for narrowing the distance between the band and its audience. Knowing how the music you like was born, puts you on the whole new level of connecting with the band.
As I see the structure of one of the home sessions it would go like this:
1. Create a 20-30s opening sequence for the whole documentary and use it at the beginning of each separate home session.
2. A short interview. Three main keypoints:
The origin of the band.
The present of the band
The future of the band
3. Live performance
4. Closing interview (I'm after some authentic stories, e.g. from their childhood, when and how they were first influenced by music.
Some examples of such documentaries:
Mumford & Sons Gentlemen of the Road series:
trailer:
Adele Live in her own home:
Jonsi Go Quiet acoustic version of his new album filmed in his own home:
The bottom line of this, of course, is promotion and introducing the band to the viral YouTube and Vimeo world.
Tuesday, 15 November 2011
Jim Shorthose & Neil Maycroft: New Spectacles for Juliette
Just got back from the book launch event. I red the previous two books by Jim Shorthose, really like his way of thinking. That was the first time I've ever been to Antenna, what a wonderful place! The atmosphere of the event was really warm and nice, there were around 15-20 people working within creative industries. had a nice chat with a lady that does PR for charity organizations.
The book is available at: jimshorthose.co.uk
The book is available at: jimshorthose.co.uk
Friday, 11 November 2011
Life (coursework) saver
http://visitsteve.com/made/selfcontrol/
I find this tiny piece of software incredibly useful. You create your own 'black list' (mine includes facebook, youtube, pininterest and other procrastination friendly sites) and set up your own timer. After pressing START there's no way to access the bad sites until the timer stops.
My roomate calls me irresponsible and immature because I can't resist wasting time doing absolutely nothing online. The sad thing is she's right. So I installed selfcontrol and things are about to (hopefully) change around here.
I find this tiny piece of software incredibly useful. You create your own 'black list' (mine includes facebook, youtube, pininterest and other procrastination friendly sites) and set up your own timer. After pressing START there's no way to access the bad sites until the timer stops.
My roomate calls me irresponsible and immature because I can't resist wasting time doing absolutely nothing online. The sad thing is she's right. So I installed selfcontrol and things are about to (hopefully) change around here.
Music Advertising (Research)
Currently reading books on marketing and advertising as well as conceptual art.
Thinking of changing my research topic to 'Confusion: read more, understand less'.
The main areas I'll be focusing on:
HISTORY OF MUSIC VIDEOS. That will also include documenting music.
CONTEMPORARY ADVERTISING AND MARKETING.
MUSIC TV SHOWS.
YOUTUBE SENSATIONS. The new generation of celebrities.
LITERAL VISUAL PRESENCE. Denying 'seeing is believing'. Virtual bands. Gorillaz.
Today's rhetoric question:
What's the difference between a music video where you have product replacement and an advert where there's some iconic song in the background?
Thinking of changing my research topic to 'Confusion: read more, understand less'.
The main areas I'll be focusing on:
HISTORY OF MUSIC VIDEOS. That will also include documenting music.
CONTEMPORARY ADVERTISING AND MARKETING.
MUSIC TV SHOWS.
YOUTUBE SENSATIONS. The new generation of celebrities.
LITERAL VISUAL PRESENCE. Denying 'seeing is believing'. Virtual bands. Gorillaz.
Today's rhetoric question:
What's the difference between a music video where you have product replacement and an advert where there's some iconic song in the background?
Monday, 7 November 2011
Post-deadline update
Last week I handed in my simulated client project and startUP factory report. Gave myself a word not to lament about it anymore even though I know I could have done it better.
But just like one wise man said 'it's done and dusted' so it's time to move on to my next projects.
RESEARCH
What impact does the visual presence of music have on its promotion and marketing?
Submit your answers via dropbox.
There's a pile of books next to my bed, a red-labeled document file on my desktop and constant stress in my head. It's almost impossible to understand how important these 3000-4000 words are. Currently reading stuff about the types of music marketing that I am not going to investigate. Did you know that Michael Jackson owns (well, used to) the copyright of every single song The Beatles have ever written? I didn't. That's the kind of stuff I'm digging in now just to get the flavor of the industry and the way things work there.
EXHIBITION PACKAGE
What happens when after two years of quite intense academic life you realise that your portfolio is basically empty? In my case, a panic attack. But then I started thinking about what could I possibly get done in this tight schedule and now I've got a little plan for some shorts that would go on my portfolio.
LIVE CLIENT PROJECT
Had a meeting with my clients before their gig. We discussed possible ideas and locations for the documentary and Home Sessions. I'm really excited but have to work on my brief and proposal.
So far so good.
But just like one wise man said 'it's done and dusted' so it's time to move on to my next projects.
RESEARCH
What impact does the visual presence of music have on its promotion and marketing?
Submit your answers via dropbox.
There's a pile of books next to my bed, a red-labeled document file on my desktop and constant stress in my head. It's almost impossible to understand how important these 3000-4000 words are. Currently reading stuff about the types of music marketing that I am not going to investigate. Did you know that Michael Jackson owns (well, used to) the copyright of every single song The Beatles have ever written? I didn't. That's the kind of stuff I'm digging in now just to get the flavor of the industry and the way things work there.
EXHIBITION PACKAGE
What happens when after two years of quite intense academic life you realise that your portfolio is basically empty? In my case, a panic attack. But then I started thinking about what could I possibly get done in this tight schedule and now I've got a little plan for some shorts that would go on my portfolio.
LIVE CLIENT PROJECT
Had a meeting with my clients before their gig. We discussed possible ideas and locations for the documentary and Home Sessions. I'm really excited but have to work on my brief and proposal.
So far so good.
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